Choosing a support

The difference between working with egg tempera on paper versus a panel is something I have been thinking about. My first painting of 2021 was an egg tempera on paper primed on both sides repeatedly with Sintopia then I used PVA to attach it to a piece of thick, acid free, mountboard. I pioneered this support (for me) last January and sort of enjoyed working on the surface.  I liked the otcome. One of my friends wondered why the pieces painted on paper were brighter than my panels. 

Foo Dog and Flowers, egg tempera on paper primed with Sintopia, laid on board 21 x 15 cm, Jan 2021

Weekend Garden, egg tempera on panel, 25 x 27 cm, Jan 2021

I’m not sure if it is the material or the way I work with it. Last year I found the sintopia was very absorbent and dried instantly.  This year I didn’t find it as dry. Painting on a panel is more satisfying.  The surface builds up evenly and it is a gorgeously smooth. The paper is more resistant. Also, the product feels more substantial. I’d be curious to hear what you think!